Minor plot spoilers for Innocent series 2 episode 1 below.
Back in May of 2018, ITV aired a four-part crime drama across a week that turned out to be really quite gripping television. Starring Lee Ingleby and Hermoine Norris, the tightly-plotted Innocent series 1 ended up being a surprise hit for the third channel.
We were on hand to review the whodunit, of course. And who ‘dun it’? Well, we won’t spoil it for anyone wanting to revisit the series on the ITV Hub. Suffice to say that we worked it out in our very first review…
Bragging aside, it was a very good miniseries. Three years on and it’s back. The initial story was fully told and tied up with a neat little bow, but with ITV keen to repeat its success, a new standalone story is here until the same title. Whether or not Innocent can be the UK’s answer to US anthology series like American Crime Story probably hinges on the success of this follow-up outing.
We kick off at something of a frantic pace. There’s no easing in here, it’s all background and it comes at us fast. A couple of minutes in and we learn that our central character, ex-teacher Sally Wright (Katherine Kelly), is being released from prison after a retrial found her innocent (geddit?) of the murder of a 16-year-old pupil – a boy she was accused of having an illicit and unethical affair with.
We’re then unequivocally shown, via some rather weighty exposition, that she definitely didn’t commit the crime. So, unlike with series 1, we know from the get-go that our protagonist is indeed innocent. Who really murdered the boy? Well, we’ll find out.
Sal may have been cleared in a court of law, but the verdict of the jury in the court of public opinion seems less certain. Her old journo pal is happy to put her up on her release, although she may well be sniffing out a story. The public in her hometown of Keswick seem less convinced of Sally’s innocence, as demonstrated in a rather jarring and unrealistic scene in a local bank. Small town cashiers aren’t always the friendliest, but you’d like to think being called ‘a filthy wh*re’ is grounds for a fairly robust complaint.
Katherine Kelly is at her best when gritting her teeth and comes to life where she’s taking it to The Man. Or, in one scene at her old school, The Woman. On seeing an old colleague is now headmistress, she demands her old job back in a way that makes you side with her in no uncertain terms. We’ll find out that her Sally Wright isn’t a woman to be trifled with.
Sally’s attempts to reintegrate with her friends and the community seem to be the focus here and it’s a fine concept, one briefly touched upon in the last series. The emotive nature of the crime she’s accused of brings out a visceral reaction in people, that’s clear. Whether it turns out she did act inappropriately with her former pupil, again, we’ll have to find out.
Looking to find the real killer – and perhaps clear Sal’s name – is DCI Braithwaite (Shaun Dooley), a man with his own demons: a dead daughter that may or may not turn out to have some sort of connection to the case.
Innocent’s second series is set in the Lake District, although it was mostly shot on the south coast of Ireland. The gorgeous scenery often punctuates the plot in that artistic way we’re now so used to seeing in Scandi-noir. Nothing underlines a character’s malaise quite like a slow panning shot of an ice-cold lake at sunset.
This comes from the keyboard of a certain Chris Lang, ITV’s King Midas. Lang’s current show may be Innocent, but he’s guilty of knocking out hit after hit for his employers – the most famous and successful of which being the jewel in ITV’s crown, Unforgotten. With Lang at the wheel, we can relax knowing we’re in good hands. Especially when it comes to believable and relatable characters. And, so far, so good.
Based on the preview of part two shown at the end of Monday’s episode, things certainly ramp up in the stakes and tension departments. We’ll be tuning in over the next three nights to see how it plays out. Head back here tomorrow to keep up with our thoughts on it all.
Extremely ingenious plot with a fantastic performance by Katherine Kelly.
Her facial expressions so subtle that she is able to portray innocence and guilt with a flicker. Long winded and not so well acted confession by her ex in the final scene but it did not unduly detract from what was an excellent series. More please.