WARNING: spoilers for Broadchurch series 3 episode 6 below. Still catching up? Read Steve’s episode 5 review here.
Broadchurch is a dark programme, we all know that. Its maiden series dealt with the death of a child. And the current one involves a brutal sexual assault. Little House on the Prairie it ain’t. But this episode – the sixth of eight – even by its own standards was particularly dark. It was sharply focused on just two men. One a potential rapist, the other a grieving father on the edge. By the end of the hour, one of them would be dead…
We opened with Mark Latimer awaking in bed. He’s next to his estranged wife Beth. Have they rekindled things? He gets out of bed and walks to Danny’s room. But it isn’t empty. Danny is in there, playing a computer game. We realise it’s a dream. When Mark wakes up, he’s in a van. Parked up outside Joe Miller’s place of work. He’s out for revenge.
When he finally comes face to face with his son’s killer though, he can’t go through with any violent fantasy he may have been having. He makes Miller tell him exactly what happened to his boy and then, broken and depressed, he wanders off. He puts in a worrying phone call to his daughter Chloe, tell her he loves her and the family and before the credits roll, He gives up and surrenders himself to the English Channel in a truly heart-breaking and ethereal scene. Olivia Colman and David Tennant get plenty of credit for their acting in Broadchurch, but Andrew Buchan’s performance as Mark – particularly here – is a real marvel of understated beauty. A perfect portrayal of loss.

Onto the main plot and we kick off with some whittling down of the suspects. That enormous whiteboard full of mens’ names is now, thankfully, a little cleaner. Of the sixty-five men who attended Cath Atwood’s party at Axehampton House (which is actually Bridehead House in West Dorset, for all you country house fans out there), forty-two have now been discounted. That leaves ‘just’ thirteen suspects.
Their ‘primary focus’? Ed Burnett (Sir Lenny Henry). They first arrest him for his Lennox Lewis impression at Atwood Autos, but then further arrest him in connection with Trish’s attack. Why? Well, the circumstantial evidence implicating him is overwhelming. The anonymously creepy card Trish received in the flowers? It matched up with those found in a pack in his office. The vegetables he sent her? Wrapped with the same twine used to tie her up. He also has grass and mud stains on the suit jacket he wore to the party and some more of that all-incriminating twine balled up in his pocket.
The two detectives got the team to dig around on Ed’s phone too. Turns out he’s a keen amateur photographer. Only he’s got over five thousand pictures of Trish stored on there. The only conclusion that can be drawn? Ed has ‘an unhealthy interest’ in Trish. That and his mobile has an impressive amount of data storage.

After Ed’s arrest, Ellie Miller gives a statement to the press, which is screened on ITV News. Now, this being Broadchurch, the entire town watched simultaneously andindividually. All while looking either concerned, shifty or both. And each with a very similar thousand yard stare going on.
In other news, Ian stole Trish’s laptop, got Leo to wipe it and as such wasn’t too concerned when our two crimefighters dropped by the school to seize it from him. Ellie discovers Tom’s stolen his phone back and downloaded pornography again and decides to smash it up for him. Along with his laptop (might she have destroyed evidence by doing so? We reckon she just might have done, y’know…). A ball of rage this week, she also railed against DI Harford for her not disclosing that she’s Ed Burnett’s daughter…
Which got us to thinking. A rollicking? That’s not really enough, is it? In real life, Harford would most likely have got her marching orders for that. And you know who else would have been sacked for gross misconduct this week? Beth. Her treatment of Meera, the historic rape victim, was awful. Harassing, blaming and showing no cultural or general sensitivity, there should really be two extra people in the queue at the Broadchurch Job Centre next week. Although admittedly that would be rather unfair on Beth in light of what happened to her husband at the end of the episode.

So, then. A sad episode that leads into perhaps an even sadder penultimate one next week. The Latimers are going to be devastated in next Monday’s episode. Meanwhile, who really believes that Ed did it? C’mon… So we’re probably no closer to finding the man responsible for the string of horrific attacks. But we will eventually. Won’t we?
Who else gets a feeling that the final Broadchurch in a fortnight’s time is going to be a real doozy?
Am I the only one who has problems with this Series? I tuned out very quickly to Series 1, found the acting overdone, weird, strange responses and very annoying responses, not at all life like. I suppose Tennant saved it from being a complete washout, but he certainly didn’t stretch his acting abilities in this series. His sidekick was off the planet… Broadchurch could learn a thing or two from the Nordic Noir TV, such as The Killing, The Bridge etc. At present this series is stuck between ‘OTT weirdness’ and ‘crime noir’.
Totally agree. Ep 3 got worse. Obviously written by a man – no woman on earth would put herself through a re-enactment knowing she may have to do the same verbally in court. Acting too unnatural. I wasn’t moved at all what a shame after all the hype.
This first episode of Broadchurch (3) was beautifully paced and well acted, especially by Julie Hesmondhalgh as the woman ‘raped near water’. Of course, this being a TV series, DS Ellie Miller gives the raped woman her home phone number! The pace is the winner though. The writer and director have fully understood that even in this fast multi-tasking technological world viewers don’t need scenes to change every five seconds, volume to be high, and sound FX to almost drown out the actors. We are instead drawn in to an emotionally charged story that (almost) moves at the pace of life. In fact, my only negative comment is aimed at the truly annoying rushed credits and voice over trail for the next programme. Luckily, I had recorded it, so I could pause the actor credits in silence and allow the impact of this excellent production stay with me for a while longer.
I loved it ,thought it was handled very well ,and looking forward to next week
Absolutely brilliant.