Spoilers for The Missing series 2 episode 3 below. Still catching up? Read Stuart’s review of episode 2 here.
Clever jumping between time periods in 2014 and the present day makes watching The Missing feel like playing a complicated game of hangman and realising the word slowly emerging is in a language you do not understand.
The Missing series 2 episode 3 opened with a family travelling through Switzerland in the present day. Their son sees a red VW camper van parked in a forest. A close up of the wheel arch reveals it has been repainted from the original yellow. This was colour of the van Alice told police was driven by her abductor.
While the mystery of Alice’s abduction begins to unravel in the rest of the episode, this odd detail undercuts many of the revelations, in Alice’s claim that the butcher Mr Herz was her abductor. Of course, the scene was never returned to or explained. Another of writers Harry and Jack Williams’ great teases.

There were several story lines in this episode. In the present: retired detective Baptiste in Iraq looking for the former soldier Daniel Reed; Military Police Officer Eve Stone’s struggles with her former Brigadier father’s dementia. In 2014: the Brigadier in full control of his senses and his connection to Reed’s father; Mr Herz’ wife (or former wife) struggling with the aftermath of her husband being accused. However, it was Alice’s story line in 2014 that really took the attention.
Is the returned Alice the Websters’ daughter? Baptiste doesn’t think so. The feeling that something is not quite right with the situation is shared by Gemma Webster who tells her husband Sam “I don’t feel it. I don’t feel it is her.”
In a chilling family dinner scene, Sam tries to lift the mood in the house by suggesting they visit a German Christmas market and have a glass of Gluehwein, a hot wine punch. Alice smiles suddenly. She says the last time she had a glass was after she had been on a roller coaster.
Gemma realises she means with her abductor. Alice disturbingly tells her possibly/maybe parents, “There were times we were happy, you should know that”. She reveals that the baby she had while captive had died. “I’m supposed to be free. Am I? I don’t feel free. I don’t feel anything at all.”
At least now we know the reason why Gemma has been obsessively clicking through those roller coaster photos.
Series director Ben Chanan is doing terrific work. All three episodes look fantastic. The careful differentiation of visual tones and details keeping the audience orientated when the time frame and location is continually shifting.
But in this episode Chanan give us a truly haunting image. A static shot of the Websters’ back yard covered in frost in the early morning. Beyond the garden are woods. The shot is held for a long time with no apparent activity in the frame. Then the girl slowly emerges from the foliage, so pale and tiny the effect is virtually as though a ghost has appeared.
Is Alice a ghost metaphorically? Is Alice even Alice? And if not, who is buried in the present day under a headstone with Alice Webster carved onto it?
Just watched episode one and I’m lost! What a great show!👍🏻😉
It is absolutely brilliant. You have to keep on you’re toes to follow, but it is a fantastic series. We are just watching it on Netflix.
I am watching it now – but, in all honesty, I cannot follow the jumps in the timeline. And how did Baptiste come to the conclusion that the girl was not Alice when he had not even seen her, far less interviewed her.
Such a great cast. Must watch
Well-written review, thank you. I agree that the show already is raising so many questions in the audience. I have come to accept that part of the suspense of this show is being utterly confused and paranoid of (almost) every character, yet loving the hell out of each scene.