When you hear that Jed Mercurio is involved in a TV crime drama, as a viewer, you have certain expectations. Years of watching Line of Duty and newer efforts like Bodyguard, Vigil and Trigger Point have set a tone. A Mercurio-tinged series will have excitement, tense action scenes, unexpected deaths and cliff-hangers.
ITV1’s new four-parter DI Ray, running over consecutive nights this week, counts the famous screenwriter as an executive producer. Much more involved in its conception and execution is another Line of Duty face, actress and writer Maya Sondhi, who played PC Maneet Bindra in the corrupt copper thriller.
The first thing to say about DI Ray is that the familiar faces aren’t just behind the camera. The cast is a veritable Who’s Who of British TV drama – to the point where it actually becomes a little distracting. By the first ad break we’d spotted:
● Gemma Whelan (DS Sarah Collins from The Tower, Geraldine from Killing Eve, Ann Eaton from White House Farm)
● Jamie Bamber (Sam Wright from Innocent, DCI Tim Williamson from Marcella, Matthew Wild from Fearless)
● Steve Oram (Phil from Killing Eve, DC Alex Grummit from The Moorside)
● Ian Puleston-Davies (Brian from The Teacher, Frank Jackson from Tin Star, Peter Cullen from Marcella)
● Maanuv Thiara (Vihaan Mahotra from Line of Duty, DC MacBride from Landscapers)
In the central role, though, is Parminder Nagra as the eponymous Detective Inspector Rachita Ray. The former ER actress plays Ray as a tough nut, but not an insensitive one. She’s smart but not a show-off. Like so many fictional detectives with a TV series named after them, however, her hunches appear to be pretty inspired.
On her first case working for a new department investigating ‘CSHs’ – culturally-specific homicides – DI Ray is quick to spot that the newly-dead Imran isn’t the victim of an honour killing as her team rather lazily and prematurely decides. It looks like there’s much more to the case than a family name-sparing knifing.
At its core, this is a drama about racism – about the various forms of it that, in this specific case, Asian women experience in the police force can and do suffer.
It would have been very easy to make DI Ray an onslaught of broadly-drawn characters acting like bigots, but it’s cleverer than that. Ray isn’t portrayed as a victim and those around her aren’t carrying on like they’re at a National Front meeting in the 1970s. Discrimination comes in many forms, some of which can even be delivered ‘politely’.
Immediately we’re shown the successful police officer browsing the shelves after work one day and being mistaken for a shop assistant. Later, she’s given the lanyard of another Asian woman by a careless receptionist. The series pivots on her being awarded a new job by a senior police figure who declares her ‘exactly what we need’ after quizzing her about her ‘heritage’.
Where the series excels is applying its heavy themes with a light touch. There’s a story here, a real plot which is allowed to live and breathe. Themes of discrimination and multiculturalism appear almost organically throughout.
This opener was a little slow going at points – let’s be generous and say it was ‘low key’ – but we’re always prepared to allow for that in episode one. Characters established and tone set, we’ll be expecting things to pick up a little on Tuesday evening.
The final seconds of the first instalment had Ray coshed unconscious by an unknown assailant for getting too close to the truth. She came to, though. Not even a Jed Mercurio exec-produced series could kill its title character in the first hour.
The sound is poor and dialogue is difficult to hear. And is it only me, but it seems everything is blurred, except for a small segment of the screen. And when my eyes finally see what is in focus, the director blurs that, in favor of another section. The scenes in the office are hard to watch, as the background is comprised of windows to the outside. No thanks. This looks cheap.
I thought the story was pretty good, the main character played by Parminder Nagra, is interesting and complex, don’t agree with other reviewers’ description of her as unlikeable. Main complaint is the sound quality – I had to turn up volume many notches higher than other shows just to hear the dialogue over the music and background noise. If Series 2 has the same issue with sound, I may not watch.
Just watched the first episode. It is intriguing but as with a lot of dramas the sound quality is poor and constant music makes it difficult to hear.
Not a bad tale, but I’m hoping the police force is not as racist as shown here.
The ending is pure crap. Ray busts the case and nearly gets offed in the process, then the big shots suspend her. Give me a break!
Still I suppose this is typical of cop shows. The top cops, if not corrupt, are bloody idiots who are hell bent on making things tough for the good guys.
So OK, but a bullshit ending.
I really enjoyed the first episode, and hope that more series will be made at the conclusion of Series 1.